Jennings’s Making Fashion documents the preparation of Norman Hartnell’s Spring/Summer 1938 collection, interspersing shots of the couturier and his studio at work with images indicating his inspiration (the brilliantly clichéd mix of classical sculptures, spring flowers and nineteenth-century fashion plates leaves little to desire for). It is an intimate yet highly idealised portrayal of the behind-the-scenes of one of England’s grandest and most successful fashion salons, showing a perfectly coordinated ‘body’ of busy skilled workers demonstrating a range of design processes, from draping on a dummy to the execution of a sample, to fitting on a model and encrusting with sequins and jewels. Shot in Dufaycolor, a colour process especially suitable for enhancing pastels tones, and with colour harmony make-up by Max Factor, the sumptuous film culminates in two substantial modelling sequences – one internal, the other a fashion show staged for a small audience. Somewhere between a documentary and an extended commercial (Hartnell was the film’s co-producer), Making Fashion is a rare example of its kind in British pre-war cinema.
2023-06-10 16:23:13,最后更新于 1年前
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倒序电影《制造时尚》的剧情详细介绍
◎影片名称:制造时尚
◎影片别名:Design for Spring
◎影片类型:纪录,短片
◎豆瓣链接:10564963
◎IMDb链接:tt0030404
◎影片时长:15min 分钟
◎影片导演:亨弗莱·詹宁斯
◎影片地区:英国
◎影片语言:英语
◎更新时间:2023-06-10 16:23:13
◎影片剧情:
Jennings’s Making Fashion documents the preparation of Norman Hartnell’s Spring/Summer 1938 collection, interspersing shots of the couturier and his studio at work with images indicating his inspiration (the brilliantly clichéd mix of classical sculptures, spring flowers and nineteenth-century fashion plates leaves little to desire for). It is an intimate yet highly idealised portrayal of the behind-the-scenes of one of England’s grandest and most successful fashion salons, showing a perfectly coordinated ‘body’ of busy skilled workers demonstrating a range of design processes, from draping on a dummy to the execution of a sample, to fitting on a model and encrusting with sequins and jewels. Shot in Dufaycolor, a colour process especially suitable for enhancing pastels tones, and with colour harmony make-up by Max Factor, the sumptuous film culminates in two substantial modelling sequences – one internal, the other a fashion show staged for a small audience. Somewhere between a documentary and an extended commercial (Hartnell was the film’s co-producer), Making Fashion is a rare example of its kind in British pre-war cinema.
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