艺术家兼导演克里欧·巴纳德使用经典纪录片的技术，记录下陷入困境的英国剧作家安德烈邓巴与她的女儿间动荡关系的真实故事，同时揭开一个黑暗的家庭的过去。 In 1977, when Andrea Dunbar was 15, she started work on The Arbor, a play based on her life in a rundown neighborhood of Bradford, in the north of England. Three years later, the play enjoyed a successful run in London. Dunbar became famous and wrote several other plays about similar themes—sexual abuse, teen pregnancy, drug addiction, violence—but then died suddenly of a cerebral hemorrhage in 1990. Director and artist Clio Barnard spent two years making sound recordings of the people from Dunbar’s circle. Instead of using the material as an inspiration for a conventional documentary, she had actors lip-synch to the audio. Every sigh, gasp, and pause in the voices get articulated impeccably by the actors. She interweaves this with scenes from The Arbor that are acted out in Dunbar’s neighborhood. Through the confrontation of documentary and fiction, Barnard shows that documentary is always a construction. It is the perfect medium for Dunbar’s semi-autobiographical texts, in which the boundary between fiction and reality is truly a gray area. 源自：https://www.idfa.nl/en/film/cc4c5d73-4e06-45e9-a190-5ac2d71f4fad/the-arbor
2023-07-28 01:02:23，最后更新于 10月前
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倒序电影《树荫》的剧情详细介绍
◎影片名称：树荫
◎影片别名：乔木,乔木纪事
◎影片类型：剧情,纪录
◎豆瓣链接：5154360
◎IMDb链接：tt1623008
◎影片时长：95 分钟
◎影片导演：克里欧·巴纳德
◎影片主演：克里斯汀·博顿利 内尔·德贞 罗伯特·埃姆斯 Natalie Gavin Manjinder Virk
◎上映日期：2010
◎影片地区：英国
◎影片语言：英语
◎更新时间：2023-07-28 01:02:23
◎影片剧情：
艺术家兼导演克里欧·巴纳德使用经典纪录片的技术，记录下陷入困境的英国剧作家安德烈邓巴与她的女儿间动荡关系的真实故事，同时揭开一个黑暗的家庭的过去。
In 1977, when Andrea Dunbar was 15, she started work on The Arbor, a play based on her life in a rundown neighborhood of Bradford, in the north of England. Three years later, the play enjoyed a successful run in London. Dunbar became famous and wrote several other plays about similar themes—sexual abuse, teen pregnancy, drug addiction, violence—but then died suddenly of a cerebral hemorrhage in 1990.
Director and artist Clio Barnard spent two years making sound recordings of the people from Dunbar’s circle. Instead of using the material as an inspiration for a conventional documentary, she had actors lip-synch to the audio. Every sigh, gasp, and pause in the voices get articulated impeccably by the actors. She interweaves this with scenes from The Arbor that are acted out in Dunbar’s neighborhood.
Through the confrontation of documentary and fiction, Barnard shows that documentary is always a construction. It is the perfect medium for Dunbar’s semi-autobiographical texts, in which the boundary between fiction and reality is truly a gray area.
源自：https://www.idfa.nl/en/film/cc4c5d73-4e06-45e9-a190-5ac2d71f4fad/the-arbor
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